Monday, February 23, 2015

New Trailer from My Book: Reading Deuteronomy

Enjoy the new three-minute trailer, and please re-post, and cross-link, tweet and forward by all means electronic and traditional! THANK YOU FOR YOUR SUPPORT!  Under $20 and available at Amazon (click here).

Sunday, January 25, 2015

Reading Deuteronomy: The Book Launch Continues…

Great news, I checked last night and my book has dropped below the 100,000 watershed on Amazon, now coming in at only 80,200 in the sales rank (that would put it easily within the top 100 OT Commentary Best Sellers right now). The first chapter is still a free giveaway at:  Thanks so much for your support!

file 2

file 2

Wednesday, January 21, 2015

My New Book is Out: Reading Deuteronomy

file 3

After years of hard work, my new book is hot off the press: Reading Deuteronomy, A Literary and Theological Commentary. Written to be highly readable and deeply theological, the volume tackles some of the toughest problems in biblical theology and digs to the heart of the thinking and spirituality of the biblical text. Professor Dennis Olson, Chair of the Biblical Studies Department of Princeton Seminary, writes, “Thanks for your excellent work on Deuteronomy in this commentary. I hope it gets a wide reading given its accessible style and theological insight.”  For more details and a free copy of the first chapter, click here.

file 2


Saturday, January 17, 2015

MET Exhibit: Assyria to Iberia

Seminarian and advisee Janice H. recently got to see the "From Assyria to Iberia" exhibit at the Met Museum in NY. She emailed me that there was a lot of interest from my OT course, including the Tel Dan Stele.  She snapped this photo (click to enlarge) of the stele without getting yelled at, and she correctly reports that the reference to King David is chalked in white.  In addition to many other fabulous pieces, she reports seeing pieces from the Northwest Palace similar to our own VTS Assyrian relief. 

Monday, January 12, 2015

Ruden’s Review of How the Bible Became Holy by Michael L. Satlow


A priest friend asked me what I knew about the new book by Brown University’s Michael Satlow, How the Bible Became Holy. From his description of the book’s contents, apparently Satlow would do well to read Brevard Childs’ work, which demonstrates how the canonical process is already deeply imbedded in Bible itself, and cannot be taken as a late, politically motivated enshrinement. Here is an excerpt from an incisive review of Satlow by Sarah Ruden in the Wall Street Journal (July 11, 2014):

Satlow, an accomplished professor of Judaic studies at Brown University, presents the essentials of this progress—in both its Jewish and Christian manifestations—with impressive erudition, but he often falls short by not taking the Bible seriously enough, leaving the main conundrum untouched. The Bible's growth in authority was slow indeed, but there the Western world was anyway, by not-so-late antiquity, with a Bible of lofty and exquisite authority. Could it be that the texts were "living," in the sense that they vindicated themselves in many hard and unexpected circumstances?

Mr. Satlow often uses the word "fantasy" as a brush-off for idealistic-looking passages in scripture, as if his story were about naïve efforts to create a perfect world by means of a book. The real story is practically the opposite. It is true, for instance, that Deuteronomy never became a constitution per se; but it put forward the idea of accountable government at a time of god-kingships. That human overreach might be checked by transcendent law must have intrigued both ordinary people and an elite who came to realize that it was in no position to thunder and threaten and terrify. Through the text, then, a new way of thinking about law and society was developed and valued.

"Prophecy" and "oracle" are also for Mr. Satlow dismissive terms, suggesting magic and mumbo-jumbo. But such an attitude discounts the most important functions of the written word for the ancients. Writing that was held sacred was never properly about throwing the bones to predict the future for the gullible. In any particular case, someone at first merely emitted words in a world full of chatter. Rhetoric, narrative, poetry and ritual utterance were the communications technology of Mediterranean lands, with the effusions of individuals playing the role of so many websites and Twitter feeds. But over time, with both popular and hierarchical affirmation, some words were set in the category of truth, as plausibly connected to the eternal. It was the seconding of words' meaning through collective and long-term experience that mattered.

The operative paradox that Mr. Satlow misses is that of popularity and adaptability. No words were more self-consciously and thunderously "holy" than the curses inscribed on pharaohs' tombs as warnings, but these must merely have entertained the robbers who sacked every funerary hoard they could find. What's at issue isn't a writer's intention that a text be holy, or any authority's treatment of it as holy, but the broad assent that the text can win for its holiness.

To argue, in effect, against this process requires some questionable moves on Mr. Satlow's part. He tries to undercut, for instance, the well-founded consensus that Paul was a Diaspora Jew, from a family established in Tarsus (in modern-day Turkey), who first lived in Jerusalem during his youth or young adulthood for study and professional and religious development. For this account Mr. Satlow substitutes a speculative one of Paul as a cradle Palestinian Jew, and he does this seemingly in order to support a widespread characterization of the evangelist as a traitor to his heritage: As far as scripture is concerned, Paul hawked a debased version among people he didn't know and who themselves didn't know any better; he wasn't one of them, attuned to their needs and aspirations; holy writing as he presented it and remade it thus has no deep integrity.

Whatever the biographical reality here, Mr. Satlow certainly does not succeed in sweeping away the data indicating a more critical reality, one that broadly informed the Bible's development. Two things easily co-existed in Paul's thought and contributed jointly to his success: his great dependence on and devotion to existing scripture (from whichever geographical or cultural sources he got them, he snows down quotations, citations, glosses); and a belief that existing scripture profoundly belonged to him, so that he should be able to do as he liked with it.

Scholars like Elaine Pagels, seconding the historical critics who arose more than two centuries ago, have stressed the arbitrariness of scriptural authority. This authority is supposed to result from the facts of history, especially political and institutional facts. We are purportedly assigned certain beliefs—backed up by writings—that are useful to the powerful, and what appeals to us makes little difference. Mr. Satlow's "How the Bible Became Holy" makes me wonder whether we're entering a sort of deconstructionist era of writing about the Bible. No longer is the authority of scripture said to be artificial or illegitimate; it is said never to have existed in the first place. Of course, that's annoying to the religious; but in the general forum of ideas, it's annoying because it can't conceivably be true.

Monday, January 05, 2015

Stef Conner’s new album, The Flood.


Stef Conner’s new musical renderings of Akkadian tunes are now released in her album The Flood. The review in Newsweek comments that Conner “wanted to know what these languages sounded like, to summon life from stone.” “Many of these poems and snatches of writings were sung and chanted, according to historians. The tunes played an important part in rituals in Mesopotamian societies, from funerals to lullabies.” To view the album on iTunes, click here.

Monday, December 29, 2014

“Dry Bones” in Israel-Palestine

I’m grading projects from my fall-term Prophecy course (OTS 645) this week, and there’s a very unique one by Fares Naoum, a senior seminarian from the Anglican Diocese of Jerusalem, a Palestinian citizen of Israel who is fluent in both modern Arabic and Hebrew. His art project (a large diorama / 3D-scene) is a homiletic exposition of Ezekiel 37, which applies the biblical text to the contemporary Israeli Palestinian conflict. I’ve created three views of the project to post here: (1) a 3D “Seene” photo; (2) a RotaryView 360 “introverted capture”; and (3) a short YouTube video. Each view provides a different entrée:

Below is the You-Spin capture: And here is the 2-minute video "fly-through": Fares' thesis is that the miracle of Ezek 37:14 can be applied to God’s power to comfort and offer hope to the enslaved and powerless in the Holy Land today. He writes that "People in the Holy Land--Israelis and Palestinians, Jews, Christians, and Muslims--live in the valley of the dry bones everyday in their lives, because of the ongoing fighting and conflict between the people (Israelis-Palestinians) that has been ongoing for over 100 years." He recommends the YouTube video embedded below, which provides a fairly objective overview of the conflict's origins and history. The artistic diorama places all sides down in the valley of dry bones. Also down there, in the valley, is the huge Israeli-built wall of separation, which has so traumatized the Palestinians. Both sides have a strong, deep connection to the Holy Land and both suffer in the Valley. The diorama can be viewed from behind (use the RotaryView 360), from which angle there is no hope visible. Two roads appear to lead the two sides farther and farther away from each other. Viewed from the front, however, Fares offers trees with verses from Ezekiel on mountain slopes leading up from the valley. He places the church in a central position in the scene, and urges it to play a role in fostering ascent from the dry-bones status quo. He writes, "The Church should take action... The whole Church of Christ must fulfill God's mission, to achieve peace and reconciliation. Each and every one of us is a child of God, a peacemaker." Comments welcome.